Bells on Sand Trophy Eyes and started to look at

and started to look at things with fresh eyes

King and Otis Redding

Ambrose Akinmusire follows his acclaimed

with rare black and white photographs from the 1973 – 1974 tours of the UK and the USA taken by Jill Furmanovsky

Both titles have been newly mastered at Abbey Road Studios

Bells on Sand Trophy Eyes and started to look atPianist & composer Gerald Clayton explores the impact and abstraction of time on his ravishing 2nd Blue Note album Bells On Sand, which features contributions from mentor Charles Lloyd on saxophone, father John Clayton on bass, longtime friend and peer Justin Brown on drums, and new collaborator MARO on vocals. Each musician on the record represents a different aspect of the axis of time and its shifting sands, says Clayton. My father and Charles